Jess Banks schools you.

The sanctuary of White Bear Unitarian Universalist Church (photo by Pete Seeger (no, I don’t know if it’s *that* Pete Seeger)).

My favorite thing about my church is the massive wall of windows in the sanctuary. They look out on the woods of oak and birch that surround one side of the building. I always make sure we’re sitting on the side that looks out that magnificent window. It’s the thing that most settles me into a sacred state of mind.

I love that my church home gives my family and me the community of faith that was the backbone and most important legacy of my upbringing in the Methodist church, while still embracing my personal faith in nature-based Wiccan pagan theo/thealogy. And the window is like the lodestone in my compass of the year, where I watch the parade of seasons caught in the same frame.

For a few weeks, I’ve been pointing out to the boys that the gusty winds were blowing off the last of Fall’s dead leaves to make room for the first Spring buds. But this week, I was so stunned by the apparent lack of progress in temperature and Spring-like disposition, I was moved to write a poem. (It may be terrible; I hardly ever share my poetry, so I don’t have a good sense of how it rates.)

Spring suffered a setback today.

Flurries fell and danced like dervishes

      in the parking lot.

Cold crept under my soles and

      froze my winter-pale toes.

Birch trees that, only seven days ago,

      seemed ready to move their magic

            above ground,

      now look tightly shuttered,

            their yellow-green hazy life still locked away.

This frigid season will visit a bit longer,

      and feels quite comfortably at home

though its hosts wish it long gone.

Spring,

      waiting politely in the driveway

            for its turn in the guest room,

must wait.

When I was in college, I had the great good fortune to see Kurt Vonnegut, Jr. speak on campus. He was as hilarious, irreverent, and insightful as his books. I wish I remember more of what he discussed, but just one thing has survived the years and leaks of memory.

He said we have our seasons all wrong. January and February, those are really Winter, when it’s cold as hell, he said. And May and June are really Spring, that glorious warm, flowery season. July and August are really Summer, when it’s hot as hell. And September and October are really Fall, all crisp and fruitful and wonderful.

But March and April aren’t wonderful and flowery. They’re cold and rainy and squishy and miserable, which isn’t our idea of Spring at all. But what the Earth is doing in those months is necessary for the glory of Spring and Summer to follow. He called it The Unlocking. And November and December aren’t really Winter–they’re frigid and gusty, without the beautiful white covering to hide the brown shades of dead grass and bracken. And that season, Vonnegut said, the one that protects the earth from true Winter, is called The Locking.

Perhaps the reason this explanation is the only thing that’s stuck with me from his visit is that it’s the most sensible description of the Wheel of the Year I’ve ever heard. March isn’t really Spring, and the sooner we stop expecting it to be, the happier we’ll all be. This is when the Earth unlocks itself for magic. Suddenly, the rain and sleet, the slush and melt, all seem much more tolerable.